“I’m a tyrant,” claims ballet icon Suzanne Farrell, while coaching dancers of Boston Ballet recently at the company’s rehearsal space in the South End. But she says it with a warm smile, a soft voice, ...

Performances in N.Y.C. Advertisement Supported by Critic’s Notebook The spring season at New York City Ballet opened with an all-Balanchine program and a vintage miniature from 1975: “Errante,” staged ...

Starting a ballet company from scratch in today's inhospitable climate is harder than planting a garden on rock in a drought. The financial barriers alone are prohibitive, and the American ...

Two principal dancers will say farewell in the 2026-27 season, which features the revival of Balanchine’s “Pithoprakta” and Alexei Ratmansky’s “Romeo and Juliet.” By Adam Nagourney The spring season ...