Padraic McKinley discusses directing Ethan Hawke and Russell Crowe in The Weight, which premiered at the 2026 Sundance Film ...

Ritesh Mehta interviews director Sara Dosa on Time and Water, her Sundance-premiering documentary about Icelandic glaciers.

Does it take its politics seriously? Or is the political revolution simply a background to an entertaining chase film focused ...

While the East digs out from under feet of snow and ice, Park City is dry as a bone. Desiccated slopes encircling Main Street ...

Elissa Suh speaks with Rafael Manuel about Filipiñana, his Jia Zhangke-EP’d feature debut that premieres at the 2026 Sundance ...

Chicken & Egg Films announces the participants selected for the 2026 (Egg)celerator Lab as well as the relocation of its ...

Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and Spotify. And if you’re ...

Scott Macaulay’s remarkable three-decade-plus tenure as Editor-in-Chief of Filmmaker, a magazine by and for indie filmmakers, coincided with momentous changes brought on by tech: the almost ...

Carolyn Michelle is an actress, producer, educator, and entrepreneur. Her credits include: Brilliant Minds, And Just Like ...

The Big Sky Documentary Film Festival announces the lineup for its 23rd annual incarnation today, and Filmmaker has an ...

For the first time since 2002’s Punch-Drunk Love, Paul Thomas Anderson has made a movie with a contemporary setting. To do so, he used a film format dormant for the last half century.

When 28 Days Later arrived on screens in 2002, it marked a leap forward for both zombie movies and digital cinema. Eschewing the shambling undead of George Romero, the film’s infected sprinted after ...