New York Classical Review

Kaljuste, Estonians mark Arvo Pärt at 90 with a luminous choral tribute

But that is where to hear his music this fall in New York City, where his 90th birthday (September 11) is being celebrated in a series of concerts at Carnegie Hall. Friday night, that brought the ...
New York Classical Review

A discerning program and superb singing highlight Musica Sacra concert

There have been many stylistic periods in classical music history, but across one thousand-plus years there have been only ...
New York Classical Review

The Orchestra Now recalls forgotten composers from a turbulent era

The Orchestra Now, conducted by Zachary Schwartzman with tenor Ryan Michki, will perform music by Richard Strauss, Vaughan ...
New York Classical Review

Met’s beloved “Bohème” opens with youthful appeal, vocal richness

Freddie De Tommaso and Juliana Grigoryan star in Puccini’s La Bohème at the Metropolitan Opera. Photo: Karen Almond/Met Opera La Bohème returned to the Metropolitan Opera on Tuesday evening.
New York Classical Review

The Sebastians celebrate the spooky season with a walk on Baroque’s dark side

Lucy Fitz Gibbon performed cantatas by Handel and Montéclair with The Sebastians Saturday night at Brick Presbyterian Church. Photo: Grace Copeland There were no jack-o-lanterns or skeletons adorning ...
New York Classical Review

Intriguing rarities by Beach and Gipps, admirably served by NY Repertory Orchestra

This was conservative programming in a meaningful and illuminating way, not protecting the orchestra from failure or an indifferent reaction, but playing music from the traditional mainstream of ...
New York Classical Review

Tesori’s “Grounded” scores a dark triumph in Met season opener

Emily D’Angelo stars as Jess in Jeanine Tesori’s Grounded at the Metropolitan Opera. Photo: Ken Howard / Met Opera “If Odysseus came home every day,” sings fighter pilot Jess to her husband in Jeanine ...
New York Classical Review

Mäkelä, Orchestre de Paris conjure a spectacular “Firebird,” visceral “Rite”

A hundred and eleven years ago, a ballet audience in Paris experienced “the shock of the new” as never before, when the primitive rhythms and dissonances of Igor Stravinsky’s The Rite of Spring ...
New York Classical Review

“Dead Man Walking” powerfully opens Met season, video excess apart

Joyce DiDonato and Ryan McKinny in Jake Heggie’s Dead Man Walking at the Metropolitan Opera. Photo: Karen Almond/Met Opera It was a long trek, but Dead Man Walking finally made it the last mile to the ...
New York Classical Review

Met’s “Kavalier & Clay” mixes stunning production with largely lightweight music

Andrzej Filończyk (left) and Myles Mykkanen in Mason Bates’ The Amazing Adventures of Kavalier & Clay at the Metropolitan Opera. Photo: Evan Zimmerman / Met Opera The best works of art, in any medium, ...
New York Classical Review

In Met debut Blanchard’s “Champion” proves lightweight in its class

Eric Owens and Ryan Speedo Green in Terence Blanchard’s Champion at the Metropolitan Opera. Photo: Ken Howard / Met Opera The production had a lot going for it: the good will (and expanded audience ...
New York Classical Review

Sierra and Villazón shine brightly in Met’s new “Sonnambula”

Nadine Sierra stars as Amina in Bellini’s La Sonnambula at the Metropolitan Opera. Photo: Marty Sohl / Met Opera For such a famous opera, a vehicle for some of the great modern divas, La Sonnambula ...