In addition to premieres in the main Crystal Globe competition and the more experimental Proxima section (about which, more ...

This article is part of a series of interviews conducted at the 2019 EnergaCAMERIMAGE International Film Festival in Toruń, Poland. A Zed & Two Noughts (Peter Greenaway, 1985) An Honorary Award ...

To celebrate the upcoming 50th Anniversary of the Film Society of Lincoln Center, Film Comment will be making some classic pieces from our archive available online. This week, read Molly Haskell’s ...

The experience of watching a Zulawski film is exponentially rewarding when you’ve had the pleasure of seeing more than one. As with all dense cinema—and much of Zulawski’s work is packed with wordy ...

Read this story as part of the archived issue. Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the ...

Our Best Undistributed Films list, voted on by Film Comment contributors worldwide, recognizes the new films that were viewed—at festivals, or elsewhere—in 2024 but did not have U.S. distribution at ...

Read this story as part of the archived issue. The films you’ve made since beginning Histoire(s) du cinéma are more emotional than anything you’ve done before. Each feels like an attempt at ...

Read this story as part of the archived issue. It’s tempting to describe David Fincher’s stunning, mordantly funny, formally dazzling new movie Fight Club as the first film of the next century and ...

Home truth: the director of Mountains May Depart explains why it's his most personal film yet (and analyzes its Pet Shop Boys anthem) With Mountains May Depart, Jia Zhang-ke turns his powers of social ...

Throughout Song to Song, the latest film by Terrence Malick, movie people play music people trying to act authentic and impulsive. Motivated by Malick’s late career interest in capturing life on the ...

It’s all over. Well, not quite, but the 2010s did come to an end on a note of pessimism about the world, and one of resignation about the film industry’s consolidation and glut of choice. At the same ...

Colonialism has always been the subtext of the Argentine filmmaker's work. In her first documentary feature, it is the text “Martel recognizes that to tell this story, detours will be necessary into ...