Along the way, “A Useful Ghost” finds room for salty-mouthed monks, multiple romances (straight and gay), and a late-breaking ...

For all its energy and color, “The Wave” is hardly perfect; it has way too many endings, for a start, seemingly having lost ...

The 2025 Cannes Film Festival is underway, and Chaz Ebert is on the ground to report on every development. In today’s video, Scott Dummler sits in to talk with contributor Isaac Feldberg to talk about ...

“The Mysterious Gaze of the Flamingo” runs out of new ideas before long, but Céspedes and his cast have earned enough ...

A confidently made procedural from the Competition program for this year’s Palme d’Or should engage with audiences outside of ...

Despite the elegant production design and admirable effects, "Murderbot" feels like a sci-fi comedy still searching for ...

Left-Handed Girl” is her first solo directorial feature, but Baker wrote it with her and edited it. So on one hand, comparing ...

Despite the occasional unevenness, it’s one of the most promising comedies to hit television in recent memory.

Some sketches are plays on arthouse cinema (or Segura’s notions of them, at least), like fake A24 trailers about an Italian ...

Three films tackle deliberately paced tales of people struggling against governmental and bureaucratic systems.

Cannes takes a day to settle in, using the opening night to hear from the jury (led this year by one of our best actresses in ...

So does this “Duster” speed Holloway back into future star status? Not quite. It’s undeniably fun for large stretches of its ...