The director Brett Sullivan gives viewers the best seat in the house, with delicate camerawork that moves with the rhythms of Anaïs Mitchell’s soulful score. By Chris Azzopardi In Lebanon, a lush ...
There’s no escaping the fact that this is a nasty, vicious little film – the climax is startlingly unpleasant. But with its sharp dialogue, beautifully streamlined story and fistful of surprises, the ...
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